Valentine's Day
375 historic pictures in the Valentine's Day collection, in 7 sections, part of Occasions. Each one can be ordered as a print or licensed, and the collection is a starting point for telling stories about the past.
Open the interactive boardValentine’s Day became a mass American custom because postage got cheap. Before the 1840s a letter was paid for by the person receiving it and cost enough to matter. Once rates dropped and prepaid stamps arrived, an ordinary person could send a card to somebody across town for a penny, and anonymously.
The American industry starts with a college student in Worcester, Massachusetts. Esther Howland received an English lace valentine in 1847, decided she could make better ones, ordered paper lace and floral scraps from England, and took orders through her father’s stationery store. She expected a few hundred dollars of business and got several thousand. She then built an assembly line in the upper floor of the family house, employing young women who each added one element and passed the card along, and the New England Valentine Company was doing something on the order of a hundred thousand dollars a year by the 1870s. She is one of the earliest American women to build a manufacturing business of that size.
Her cards are the ones that survive in collections — layered paper lace, lifted on small paper springs so the design stands off the backing, with a colored insert showing through the cutwork.
The other half of the trade is the part nobody puts in the display case. Vinegar valentines were cheap single-sheet cards printed with a crude caricature and a few lines of verse insulting the recipient — mocking a woman for being unmarried, a man for being a drunk or a fool, a clerk for his airs. They sold in enormous numbers through the second half of the century, they were sent anonymously, and because postage was often paid on delivery the target could end up paying to be insulted. Postal officials complained about them. There are accounts of them provoking fistfights and at least one shooting.
So a photograph of a card counter in February is showing a business with two very different products on the same table.
The school exchange, where every child gives a card to every other child, is a twentieth-century development and it is the reason valentines got small, cheap and printed in sheets. Photographs of decorated classroom boxes belong to the 1920s and later.
The post office is again the best documented part. Larger cities ran a special valentine detail, and there are photographs of clerks sorting mountains of small envelopes. Some towns offered a hand cancellation with a local mark, which is a custom that survives in a few places.
Two other period customs turn up in the imagery and confuse people. Valentine writers were small booklets of ready-made verses sold to people who could not compose their own, with matching insults in the back for the vinegar trade. And a card was frequently sent to a friend or a relative rather than a sweetheart, so a nineteenth-century valentine addressed to a sister is entirely ordinary.
One dating note that helps. Cards with real lace paper, embossing and applied scraps are generally pre-1900 and expensive to produce. Flat chromolithographed cards with printed borders are turn of the century. Small die-cut cards with a punched slot for a lollipop are 1920s and later. The material tells you the decade faster than the sentiment does.
The Founder Spent Her Life Trying to Stop It
Valentine's Day
Ballroom scene with a couple kissing, oil sketch
Couple embracing beside a figure on a dusk country road
Friendship love and truth (New York : Published)
[Easter promenade]
Lovers ramble (Cincinnati : Wm. M. )
Hedda Gabler / Byron N.Y. ([1914])
[Drawing of a heart, animation cel from the film Information machine: creative man and the
[William Y. McAllister with wife seated in decorative chair] ([between 1850 and 18)
[William Y. McAllister with wife, full-length, seated in decorative chair] ([between 1850 and 18)
Way down East a story about plain people. (Cin'ti ; New York : )
Home again / A. Dubois lith. (Boston : published b)
Courting couple in a dark garden, man bowing
He knew that he was not dreaming
[From the other end of the little bridge she came to meet him]
[Picnic under the fir]
[In the subway] / GB. ([1921])
Politeness (Haymarket, [London] )
[James Valentine Campbell, 1823-1890, bust portrait]
[Humorous illustrated poems by George Ade and William Herschell relating to U.S. soldiers
St. Valentine on the Danube Haide with Haidersee and Ortergruppe Tyrol Austro-Hungary ([between ca. 1890 an)
Opalard; Prade; Wallace; Van den Bergh; Comte Castillion de St. Victor; Grunholde; Thomas; (n/a)Applewood
God is love (New York : Published)
The lover's reconciliation (c1846 Apr. 18.)
He loves me. He loves me not"" (c1910.)
He loves me, he loves me not (c1906.)
Just waiting for the buttermilk (c1906.)
Chinning, not churning (c1906.)
Guess who!"" (c1906.)
Carving their names for memory's sake (c1906.)
Sovereigns of love's domain (c1906.)
Translating a love letter from a Boston girl - Now does that mean yes or no?"" (c1903.)
The same old story (c1907.)
Love's young dream"" (c1898.)
The Going (c1917.)
VAL-16
VAL-17
Lover's Lane, Central Park, New York
Love reading Cupid's hieroglyphic message
Bride and groom with Cupid in a staged studio setting
Man kneeling to a woman in a gown before a painted garden
I Love To Love A Mason 'Cause A Mason Never Tells
Love's Reward: Couple Kissing, Celebrity Art Co., Boston
Who does not love wine, wife & song will be a fool for his lifelong
VAL-42
When Love Is Young
The Lovers' Retreat: The Same Old Pose
VAL-50
On Vengeance Bent, the Wrathful Lover Started
Victor Herbert's comic opera Fortune teller" with famous "gypsy love song"" ([Ohio] : Federal Art)
The Rustler's reformation (New York : National )
Juliet, fine cut, chewing tobacco - James Moran & Co., St. Louis / Averell & Peckett, lith (c1873.)
The Little Duchess, the Musical Comedy Success, Anna Held poster
The Little Duchess, the Musical Comedy Success, Anna Held poster
James Moran & Co's Romeo Fine Cut Chewing Tobacco advertisement
Charles Frohman's $40,000 Production, Hearts Are Trumps
The Path of Flowers: A New Farce-Comedy by Valentin Katayev
First Love tobacco label by K.F. & Co., Vuelta Abajo
Mabel's Lovers: The Surprised Suitor
Wm H. Crane: The Head of the Family
In Memory Dear, My Valentine
Valentine's Day · Applewood
To My Valentine: Two Women Walking in a Park
To One I Love" Valentine card with a child and heart
To my Valentine: train decorated with roses and forget-me-nots
Valentine card reading 'To My Valentine' with figures and flowers
Valentine's Day · Applewood
Die-cut valentine card with cupid, hearts and forget-me-nots
Vintage Valentine card with three cherubs holding heart plants
To My Valentine card with cherubs, hearts and roses
Miner Cupid: "I've struck it rich!" To my Valentine
Valentine card: cherub at mailbox, To My Fond Love, Love's Token
Valentine's Day · Applewood
Valentine card with cherub and heart basket, 'With my Love'
A Valentine Message: green parakeets around a red heart
Prang's Valentine Cards (1883)
1904, a Leap Year Valentine
Prang's Christmas Cards advertisement with mistletoe and costumed lovers
VAL-65
Valentine Greeting postcard with two women and flowers
Valentines Day Cards-fd0009
The cream of love (New York : Published)
Do you love butter? ([New York] : Currier)
The girl I love (New York : Published)
The lovers (New York : Published)
The lovers quarrel (New York : Published)
The lovers reconciliation (New York : Published)
The lovers walk (New York : Published)
My absent love (New York : Published)
Queen of love and beauty (New York : Published)
The star of love (New York : Published)
The Moss Rose
and sometimes.... sister72
Heart-shaped sugar cookies with red and white sprinkles
Soldier with rifle writing a letter on a bench
The stolen interview (New York : Published)
Maternal love / A.F. Tait, N.Y., 1868. (L Prang & Co., c1870)
The soldier's return / lith. & pub. by J. Baillie, N.Y. (c1847.)
Proposal / chromo-lithographed and published by A. & C. Kaufmann, New York. (c1873.)
Woman in pale dress and man in suit, dim garden
Popping the question / lith. & pub. by Sarony & Major. (c1846.)
[From the other end of the little bridge she came to meet him]
The marriage / lith. & pub. by Sarony & Major. (c1846.)
The zoopraxiscope - a couple waltzing (c1893.)
Sparking: courting couple by a fireside, engraved print
Young woman leaning on a table, mezzotint portrait
The Four Seasons of Life: Youth
The Four Seasons of Life: Old Age
Love's Stratagem: engraving of riders and hounds in a field
Lovers walking beside a lake at sunset, cattle drinking
Still Life
VAL-28
American Beauties
Darktown opera-the lovers leap: Whar yer gwine to, dis ain't in de book ([New York] : Currier)
Friendship love and truth (New York : Published)
Daughter of temperance: Virtue, love and temperance ([New York] : N. Curr)
The queen of love (New York : Published)
To the women of Britain. Some of your men folk are holding back on your account. Won't you (London : Parliamenta)
Autumn crocus (1936)
Two kimono-clad figures among chrysanthemums, with a sword
Thrilling Love magazine cover, Dec. 1933, couple and football player