Snapshots of the Past

Valentine's Day

375 historic pictures in the Valentine's Day collection, in 7 sections, part of Occasions. Each one can be ordered as a print or licensed, and the collection is a starting point for telling stories about the past.

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Valentine’s Day became a mass American custom because postage got cheap. Before the 1840s a letter was paid for by the person receiving it and cost enough to matter. Once rates dropped and prepaid stamps arrived, an ordinary person could send a card to somebody across town for a penny, and anonymously.

The American industry starts with a college student in Worcester, Massachusetts. Esther Howland received an English lace valentine in 1847, decided she could make better ones, ordered paper lace and floral scraps from England, and took orders through her father’s stationery store. She expected a few hundred dollars of business and got several thousand. She then built an assembly line in the upper floor of the family house, employing young women who each added one element and passed the card along, and the New England Valentine Company was doing something on the order of a hundred thousand dollars a year by the 1870s. She is one of the earliest American women to build a manufacturing business of that size.

Her cards are the ones that survive in collections — layered paper lace, lifted on small paper springs so the design stands off the backing, with a colored insert showing through the cutwork.

The other half of the trade is the part nobody puts in the display case. Vinegar valentines were cheap single-sheet cards printed with a crude caricature and a few lines of verse insulting the recipient — mocking a woman for being unmarried, a man for being a drunk or a fool, a clerk for his airs. They sold in enormous numbers through the second half of the century, they were sent anonymously, and because postage was often paid on delivery the target could end up paying to be insulted. Postal officials complained about them. There are accounts of them provoking fistfights and at least one shooting.

So a photograph of a card counter in February is showing a business with two very different products on the same table.

The school exchange, where every child gives a card to every other child, is a twentieth-century development and it is the reason valentines got small, cheap and printed in sheets. Photographs of decorated classroom boxes belong to the 1920s and later.

The post office is again the best documented part. Larger cities ran a special valentine detail, and there are photographs of clerks sorting mountains of small envelopes. Some towns offered a hand cancellation with a local mark, which is a custom that survives in a few places.

Two other period customs turn up in the imagery and confuse people. Valentine writers were small booklets of ready-made verses sold to people who could not compose their own, with matching insults in the back for the vinegar trade. And a card was frequently sent to a friend or a relative rather than a sweetheart, so a nineteenth-century valentine addressed to a sister is entirely ordinary.

One dating note that helps. Cards with real lace paper, embossing and applied scraps are generally pre-1900 and expensive to produce. Flat chromolithographed cards with printed borders are turn of the century. Small die-cut cards with a punched slot for a lollipop are 1920s and later. The material tells you the decade faster than the sentiment does.

The Founder Spent Her Life Trying to Stop It

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Valentine's Day

Ballroom scene with a couple kissing, oil sketchBallroom scene with a couple kissing, oil sketchCouple embracing beside a figure on a dusk country roadCouple embracing beside a figure on a dusk country roadFriendship love and truthFriendship love and truth (New York : Published)[Easter promenade][Easter promenade]Lovers rambleLovers ramble (Cincinnati : Wm. M. )Hedda Gabler / Byron N.Y.Hedda Gabler / Byron N.Y. ([1914])[Drawing of a heart, animation cel from the film Information machine: creative man and the data processor"]"[Drawing of a heart, animation cel from the film Information machine: creative man and the[William Y. McAllister with wife seated in decorative chair][William Y. McAllister with wife seated in decorative chair] ([between 1850 and 18)[William Y. McAllister with wife, full-length, seated in decorative chair][William Y. McAllister with wife, full-length, seated in decorative chair] ([between 1850 and 18)Way down East a story about plain people.Way down East a story about plain people. (Cin'ti ; New York : )Home again / A. Dubois lith.Home again / A. Dubois lith. (Boston : published b)Courting couple in a dark garden, man bowingCourting couple in a dark garden, man bowingHe knew that he was not dreamingHe knew that he was not dreaming[From the other end of the little bridge she came to meet him][From the other end of the little bridge she came to meet him][Picnic under the fir][Picnic under the fir][In the subway] / GB.[In the subway] / GB. ([1921])PolitenessPoliteness (Haymarket, [London] )[James Valentine Campbell, 1823-1890, bust portrait][James Valentine Campbell, 1823-1890, bust portrait][Humorous illustrated poems by George Ade and William Herschell relating to U.S. soldiers in World War I - love letters, Valentines, patriotism][Humorous illustrated poems by George Ade and William Herschell relating to U.S. soldiers St. Valentine on the Danube Haide with Haidersee and Ortergruppe Tyrol Austro-HungarySt. Valentine on the Danube Haide with Haidersee and Ortergruppe Tyrol Austro-Hungary ([between ca. 1890 an)Opalard; Prade; Wallace; Van den Bergh; Comte Castillion de St. Victor; Grunholde; Thomas; Train; Beaumont; Dalziel (London Standard); Barri; Valentine; Tabuteau; WeymannOpalard; Prade; Wallace; Van den Bergh; Comte Castillion de St. Victor; Grunholde; Thomas; (n/a)

Applewood

God is loveGod is love (New York : Published)The lover's reconciliationThe lover's reconciliation (c1846 Apr. 18.)He loves me. He loves me not""He loves me. He loves me not"" (c1910.)He loves me, he loves me notHe loves me, he loves me not (c1906.)Just waiting for the buttermilkJust waiting for the buttermilk (c1906.)Chinning, not churningChinning, not churning (c1906.)Guess who!""Guess who!"" (c1906.)Carving their names for memory's sakeCarving their names for memory's sake (c1906.)Sovereigns of love's domainSovereigns of love's domain (c1906.)Translating a love letter from a Boston girl - Now does that mean yes or no?""Translating a love letter from a Boston girl - Now does that mean yes or no?"" (c1903.)The same old storyThe same old story (c1907.)Love's young dream""Love's young dream"" (c1898.)The GoingThe Going (c1917.)VAL-16VAL-16VAL-17VAL-17Lover's Lane, Central Park, New YorkLover's Lane, Central Park, New YorkLove reading Cupid's hieroglyphic messageLove reading Cupid's hieroglyphic messageBride and groom with Cupid in a staged studio settingBride and groom with Cupid in a staged studio settingMan kneeling to a woman in a gown before a painted gardenMan kneeling to a woman in a gown before a painted gardenI Love To Love A Mason 'Cause A Mason Never TellsI Love To Love A Mason 'Cause A Mason Never TellsLove's Reward: Couple Kissing, Celebrity Art Co., BostonLove's Reward: Couple Kissing, Celebrity Art Co., BostonWho does not love wine, wife & song will be a fool for his lifelongWho does not love wine, wife & song will be a fool for his lifelongVAL-42VAL-42When Love Is YoungWhen Love Is YoungThe Lovers' Retreat: The Same Old PoseThe Lovers' Retreat: The Same Old PoseVAL-50VAL-50On Vengeance Bent, the Wrathful Lover StartedOn Vengeance Bent, the Wrathful Lover StartedVictor Herbert's comic opera Fortune teller" with famous "gypsy love song""Victor Herbert's comic opera Fortune teller" with famous "gypsy love song"" ([Ohio] : Federal Art)The Rustler's reformationThe Rustler's reformation (New York : National )Juliet, fine cut, chewing tobacco - James Moran & Co., St. Louis / Averell & Peckett, lith., N. Y.Juliet, fine cut, chewing tobacco - James Moran & Co., St. Louis / Averell & Peckett, lith (c1873.)The Little Duchess, the Musical Comedy Success, Anna Held posterThe Little Duchess, the Musical Comedy Success, Anna Held posterThe Little Duchess, the Musical Comedy Success, Anna Held posterThe Little Duchess, the Musical Comedy Success, Anna Held posterJames Moran & Co's Romeo Fine Cut Chewing Tobacco advertisementJames Moran & Co's Romeo Fine Cut Chewing Tobacco advertisementCharles Frohman's $40,000 Production, Hearts Are TrumpsCharles Frohman's $40,000 Production, Hearts Are TrumpsThe Path of Flowers: A New Farce-Comedy by Valentin KatayevThe Path of Flowers: A New Farce-Comedy by Valentin KatayevFirst Love tobacco label by K.F. & Co., Vuelta AbajoFirst Love tobacco label by K.F. & Co., Vuelta AbajoMabel's Lovers: The Surprised SuitorMabel's Lovers: The Surprised SuitorWm H. Crane: The Head of the FamilyWm H. Crane: The Head of the FamilyIn Memory Dear, My ValentineIn Memory Dear, My ValentineValentine's Day · ApplewoodValentine's Day · ApplewoodTo My Valentine: Two Women Walking in a ParkTo My Valentine: Two Women Walking in a ParkTo One I Love" Valentine card with a child and heartTo One I Love" Valentine card with a child and heartTo my Valentine: train decorated with roses and forget-me-notsTo my Valentine: train decorated with roses and forget-me-notsValentine card reading 'To My Valentine' with figures and flowersValentine card reading 'To My Valentine' with figures and flowersValentine's Day · ApplewoodValentine's Day · ApplewoodDie-cut valentine card with cupid, hearts and forget-me-notsDie-cut valentine card with cupid, hearts and forget-me-notsVintage Valentine card with three cherubs holding heart plantsVintage Valentine card with three cherubs holding heart plantsTo My Valentine card with cherubs, hearts and rosesTo My Valentine card with cherubs, hearts and rosesMiner Cupid: "I've struck it rich!" To my ValentineMiner Cupid: "I've struck it rich!" To my ValentineValentine card: cherub at mailbox, To My Fond Love, Love's TokenValentine card: cherub at mailbox, To My Fond Love, Love's TokenValentine's Day · ApplewoodValentine's Day · ApplewoodValentine card with cherub and heart basket, 'With my Love'Valentine card with cherub and heart basket, 'With my Love'A Valentine Message: green parakeets around a red heartA Valentine Message: green parakeets around a red heartPrang's Valentine Cards (1883)Prang's Valentine Cards (1883)1904, a Leap Year Valentine1904, a Leap Year ValentinePrang's Christmas Cards advertisement with mistletoe and costumed loversPrang's Christmas Cards advertisement with mistletoe and costumed loversVAL-65VAL-65Valentine Greeting postcard with two women and flowersValentine Greeting postcard with two women and flowersValentines Day Cards-fd0009Valentines Day Cards-fd0009The cream of loveThe cream of love (New York : Published)Do you love butter?Do you love butter? ([New York] : Currier)The girl I loveThe girl I love (New York : Published)The loversThe lovers (New York : Published)The lovers quarrelThe lovers quarrel (New York : Published)The lovers reconciliationThe lovers reconciliation (New York : Published)The lovers walkThe lovers walk (New York : Published)My absent loveMy absent love (New York : Published)Queen of love and beautyQueen of love and beauty (New York : Published)The star of loveThe star of love (New York : Published)The Moss RoseThe Moss Roseand sometimes.... sister72and sometimes.... sister72Heart-shaped sugar cookies with red and white sprinklesHeart-shaped sugar cookies with red and white sprinklesSoldier with rifle writing a letter on a benchSoldier with rifle writing a letter on a benchThe stolen interviewThe stolen interview (New York : Published)Maternal love / A.F. Tait, N.Y., 1868.Maternal love / A.F. Tait, N.Y., 1868. (L Prang & Co., c1870)The soldier's return / lith. & pub. by J. Baillie, N.Y.The soldier's return / lith. & pub. by J. Baillie, N.Y. (c1847.)Proposal / chromo-lithographed and published by A. & C. Kaufmann, New York.Proposal / chromo-lithographed and published by A. & C. Kaufmann, New York. (c1873.)Woman in pale dress and man in suit, dim gardenWoman in pale dress and man in suit, dim gardenPopping the question / lith. & pub. by Sarony & Major.Popping the question / lith. & pub. by Sarony & Major. (c1846.)[From the other end of the little bridge she came to meet him][From the other end of the little bridge she came to meet him]The marriage / lith. & pub. by Sarony & Major.The marriage / lith. & pub. by Sarony & Major. (c1846.)The zoopraxiscope - a couple waltzingThe zoopraxiscope - a couple waltzing (c1893.)Sparking: courting couple by a fireside, engraved printSparking: courting couple by a fireside, engraved printYoung woman leaning on a table, mezzotint portraitYoung woman leaning on a table, mezzotint portraitThe Four Seasons of Life: YouthThe Four Seasons of Life: YouthThe Four Seasons of Life: Old AgeThe Four Seasons of Life: Old AgeLove's Stratagem: engraving of riders and hounds in a fieldLove's Stratagem: engraving of riders and hounds in a fieldLovers walking beside a lake at sunset, cattle drinkingLovers walking beside a lake at sunset, cattle drinkingStill LifeStill LifeVAL-28VAL-28American BeautiesAmerican BeautiesDarktown opera-the lovers leap: Whar yer gwine to, dis ain't in de bookDarktown opera-the lovers leap: Whar yer gwine to, dis ain't in de book ([New York] : Currier)Friendship love and truthFriendship love and truth (New York : Published)Daughter of temperance: Virtue, love and temperanceDaughter of temperance: Virtue, love and temperance ([New York] : N. Curr)The queen of loveThe queen of love (New York : Published)To the women of Britain. Some of your men folk are holding back on your account. Won't you prove your love for your country by persuading them to go? / The Romwell Press, Strand, London.To the women of Britain. Some of your men folk are holding back on your account. Won't you (London : Parliamenta)Autumn crocusAutumn crocus (1936)Two kimono-clad figures among chrysanthemums, with a swordTwo kimono-clad figures among chrysanthemums, with a swordThrilling Love magazine cover, Dec. 1933, couple and football playerThrilling Love magazine cover, Dec. 1933, couple and football player

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